| Tite Kubo | |
|---|---|
| Born | Noriaki Kubo June 26, 1977 Hiroshima Prefecture, Japan |
| Nationality | Japanese |
| Occupation | Manga artist |
| Known for | Bleach, Zombiepowder |
Noriaki Kubo (久保 宣章 Kubo Noriaki, born June 26, 1977), known by his pen name Tite Kubo (久保 帯人 Kubo Taito), is a Japanese manga artist. His most significant work is the manga series Bleach.
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Kubo was the son of a town council member in Fuchu, Aki District, Hiroshima. He never took drawing seriously until he was 17, and after reading the manga Saint Seiya which influenced him to become a manga artist. His first one-shot was "Ultra Unholy Hearted Machine", written for the Weekly Shōnen Jump in 1996.[1] He wrote his first manga Zombiepowder, which was also published in Weekly Shōnen Jump in 1999. It ran a short 27 chapters before being canceled in 2000. According to the author's commentary, Kubo was in a state of severe emotional trauma when he wrote it.[2]
His next series, Bleach, about a high school student who becomes a shinigami and fights hollows, began running in the same magazine in 2001. Kubo initially expected the series' serialization to continue no longer than five years.[1] As of June 2010, Bleach has reached over 400 chapters, and an anime adaptation began running in Japan in 2004. The manga was named a winner of the Shogakukan Manga Award for its category in 2004.[3] Kubo and Makoto Matsubara have co-authored two novelizations of the Bleach series, which were published by Shueisha under their Jump Books label.[4][5] A Bleach movie was released in Japan on December 16, 2006, followed by a second movie on December 22, 2007, and a third on December 13, 2008. Kubo also appeared in the episode 112 of the Japanese radio program of Bleach B-Station. In that program, Kubo was interviewed by Masakazu Morita, voice actor of Ichigo Kurosaki, the main character of Bleach, and answered several questions from fans.[6] On July 26, 2008, Kubo went to the United States for the first time and made an appearance at the San Diego Comic-Con International.[7]
Bleach was first conceived from a desire on Kubo's part to draw shinigami in kimono, which formed the basis for the design of the Shinigami in the series, and conception of the character Rukia Kuchiki.[8] Kubo has cited influences for elements of Bleach ranging from other manga series to music, foreign language, architecture, and film. He attributes his interest in drawing the supernatural and monsters to Shigeru Mizuki's GeGeGe no Kitaro and Bleach's focus on interesting weaponry and battle scenes to Masami Kurumada's Saint Seiya, both manga Kubo enjoyed as a boy.[8] The action style and storytelling found in Bleach is inspired by cinema, though Kubo has not revealed any specific movie as being an influence for fight scenes. When pressed, he told interviewers that he liked Snatch but did not use it as a model.[9] Kubo has also stated that he wishes to make Bleach an experience that can only be found by reading manga, and dismissed ideas of creating any live-action film adaptations of the series.[10]
In the making of battle scenes, Kubo's comments that he imagines the fights with the empty backgrounds and then he tries to find the best angle to make it.[11] Then, he tries to make the injuries look very realistic in order to make the readers feel the character's pain.[12] Kubo mentions he sometimes is bored while illustrating them, so he tries to add a few jokes to make it more humorous.[11] When creating characters, Kubo first attempts to create the design and later decide how it will be his personality according to what he drew. Since creating them like this, Kubo considers every character to be unique and wants each of them to be developed along the series.[13] When asked about romantic relationships between certain characters, Kubo answers saying that he does not want to turn the series into a love story since he thinks there are more exciting aspects concerning their personalities.[14] Other characters from the series also use different languages to describe their terms. The powers from the Quincy are taken from German, while Hollows and arrancar creatures instead use Spanish terms. Kubo became interested in Spanish because, to him, the language sounded "bewitching" and "mellow".[15]
Initially appearing in Weekly Shōnen Jump and published by Shueisha in Tokyo, Japan, both manga have been licensed in North America by Viz Media.
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